![]() ![]() Now seeing the truth in her suspicions, Frady acquires a phoney I.D. What follows is a disorienting cut to Lee Carter’s body laid in the morgue. Frady is skeptical of Carter’s theory of ‘systematic elimination’ and does his best to cool her down. She seeks help from her ex-boyfriend Joe Frady (Warren Beatty), an easygoing reporter with disheveled hair, working for an obscure Oregon newspaper. And another, a reporter named Lee Carter (Paula Prentiss), visibly unnerved, strongly entertains the possibility of a conspiracy. One of the witnesses, Austin Tucker (William Daniels), is one the run. Related to The Parallax View - JFK Review: A Riveting Account of an Interesting Conspiracy Theoryīut three years after the assassination, six of the bystanders who witnessed the events at Space Needle have met with ‘accidental’ deaths. ![]() ![]() After months of investigation, a government inquiry concludes that a lone madman was responsible for the Senator’s death and subsequently dismisses the conspiracy theories. A Bobby Kennedy-type assassination follows, and the cornered waiter-assasin plunges to his death. Amidst the activities, a winsome US Senator (also the presidential candidate), his lovely wife and their entourage parties atop the Seatttle Space Needle. The film opens on a sunlit Seattle, buzzing with Fourth of July parade. As the title suggests, point of view plays an important role in this suspense story, forging an unexpectedly harrowing political commentary. The writing was considered to be politically savvy, largely driven by the awareness following the exposure of Watergate Scandal (in 1972). But damn the first impressions as the film’s reputation has grown over the years, whose impalpable sense of paranoia resonates a lot with our post-truth society.īased on Lorenzo Singer’s 1970 novel, The Parallax view was adapted to screen by David Giler and Lorenzo Semple Jr. While Klute (1971) established Pakula as a respectable director of drama genre and bestowed Jane Fonda with an Oscar & Golden Globe, and All the President’s Men (1976) still remains as the go-to movie for investigative journalism, The Parallax View (1974) received mixed reviews and was a box-office failure. The result was filmed that were a little harder to follow in the moment but potent and profound in retrospect. Hitchcock and Antonioni’s films have had made some influence in creating the ‘Nixonian’ atmosphere: from Coppola’s The Conversation, Alan Pakula’s paranoid trilogy to Pollack’s Three Days of Condor and De Palma’s Blow Out. In most of the films in this cycle, the merging of factual details and theories of the conspiracy weren’t done with didactic dialogues, but by employing meticulous, profound, and riveting aesthetics that also worked as a study in suspense. Hence, the web of lies, cover-ups, and conspiracies designed by the political establishment and big business to uphold the ideological and economic interests of few naturally became the primary theme of 70s paranoid thrillers. But from John Frankenheimer’s The Manchurian Candidate (1962), the system was shown to be bigger and deceptive than the ‘good intentions’ of altruistic individuals. One resilient all-American hero (picture James Stewart) stood for ‘what’s right’ in Frank Capra’s cinema (Mr. The endless speculations in the aftermath of JFK and Robert Kennedy’s assassination, Vietnam War, the infamous Watergate scandal activated a growing sense of mistrust among the American public on the nation’s political set-up. Pakula’s directorial approach and the signature inky-black cinematography of Gordon Willis are the crucial elements that contribute to the general tone of Pakula’s ‘paranoid trilogy’, comprising of Klute (1971), The Parallax View (1974), and All the President’s Men (1976). The tense, anxious undercurrents in Alan J. ![]()
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